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Essay: The Innovative Music of Franz Schubert: Early Romantic Composer with Lieder and Symphony Works

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  • Published: 26 February 2023*
  • Last Modified: 22 July 2024
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  • Words: 633 (approx)
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Franz schurbert

Created and researched by Samuel O’Rears

Franz Schubert, in full Franz Peter Schubert, (born January 31, 1797, Himmelpfortgrund, near Vienna [Austria]—died November 19, 1828, Vienna), Austrian composer who bridged the worlds of Classical and Romantic music, noted for the melody and harmony in his songs (lieder) and chamber music. Among other works are Symphony No. 9 in C Major (The Great; 1828), Symphony in B Minor (Unfinished; 1822), masses, and piano works.

Franz Schubert, an early romantic Austrian composer, is best known for his lieder (German art songs for voice and piano) during the nineteenth century.

His father gave him his first violin lessons and his older brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Haydn, Mozart, and Beethoven.

Franz Schubert, an early romantic Austrian composer, is best known for his lieder (German art songs for voice and piano) during the nineteenth century. A new profusion of lyric poetry and the evolution of the piano into a highly complex mechanism allowed the gifted Schubert to compose exceptional lyrics.

Franz Peter Schubert was one of the greatest composers of the 19th century. With over 600 compositions, Schubert pioneered the Lieder form and wrote many famous compositions, including "Ellens dritter Gesang" (Ave Maria), "Der Elkönig", and the eighth, "Unfinished", Symphony.

Franz Schubert (1797–1828) was an Austrian romantic composer and although he died at the age of 31, he was a prolific composer, having written some 600 lieder and nine symphonies.

He wrote over 1000 pieces of music, even though he only lived to the age of 31!

He wrote over 600 songs! …

His 'Unfinished' Symphony really is unfinished and was discovered by surprise after Schubert died. …

He wasn't one to show off. …

He was in awe of Beethoven throughout his life.

Franz Schubert, in full Franz Peter Schubert, (born January 31, 1797, Himmelpfortgrund, near Vienna [Austria]—died November 19, 1828, Vienna), Austrian composer who bridged the worlds of Classical and Romantic music, noted for the melody and harmony in his songs (lieder) and chamber music

Franz Schubert was born in Himmelpfortgrund, Vienna, Austria.

In 1808, through a competitive examination, the eleven-year-old Schubert was accepted into the choir of the Imperial Court Chapel as well as the Royal Seminary. Although he was homesick, he was an outstanding student. Besides singing in the choir, he played in the orchestra. He became familiar at this time with the music of Franz Joseph Haydn (1732–1809), Wolfgang Amadeus Mozart (1756–1791), and Ludwig von Beethoven (1770–1827).

Schubert was a shy youth, and spent most of his spare time practicing and composing by himself. He left the choir at age fifteen when his voice changed, but continued to study at the seminary. Antonio Salieri, the emperor's music director, heard about Schubert's talents and took him in as a student.

Between 1820 and 1823 Schubert achieved his musical maturity. Two of his operettas and several of his songs were performed in public and amateurs and professional quartets sang his part-songs for male voices. Some of his works began to be published and performed in private concerts.

In 1826 and 1827, despite the reappearance of his illness, Schubert wrote four masterpieces, each of which has remained a staple in his repertory (works commonly performed): the String Quartet in G, the Piano Sonata in G, the Piano Trio in B-flat, and the second Piano Trio in E-flat. Schubert was one of the torchbearers at Beethoven's funeral in 1827. Toward the end of that year Schubert completed his two series of piano pieces that he himself entitled Impromptus.

In musical history Schubert stands with others at the beginning of the romantic movement, anticipating the highly personal approach to composition of later composers but lacking the forcefulness and the creative means to experiment with instrumental music that Beethoven displayed.

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