Home > History essays > Historic use of cosmetics in European history

Essay: Historic use of cosmetics in European history

Essay details and download:

  • Subject area(s): History essays
  • Reading time: 3 minutes
  • Price: Free download
  • Published: 15 October 2019*
  • Last Modified: 22 July 2024
  • File format: Text
  • Words: 890 (approx)
  • Number of pages: 4 (approx)

Text preview of this essay:

This page of the essay has 890 words.

Throughout European history, the use of cosmetics has changed from what instruments were used, to how the cosmetics were applied. The cosmetics used has had an effect on upper class women and lower class women. The desire for the tools women needed to apply their make up with was very high which had a big impact on Europe’s economy. Many techniques and products have changed since the 15th century but women, mostly higher class, used the same tools that are used today in European society such as combs and tweezers.

In the late 15th century, 16th century, people could easily tell the difference between a higher class woman and a lower class woman because of her skin tone. Unlike today, women desired to be pale. If a woman was tan, everyone would know she was lower class because if she were in a higher class, there would be no need for her to be outside. In order to get this pale complexion, white lead was used. Like today, women did use combs and tweezers, but they also used ear scoops and bone manicure sets to look more appealing. They had use mirrors as well which were made out of either glass or steel (Lambert, n.d.). Lower class women were unable to afford these things, therefore, were not as attractive as a higher class woman. The Renaissance had a very big impact on the use of cosmetics in the late 15th and 16th century. With the idea of individualism spreading, women were more encouraged and excited to use and wear makeup (Riehl, n.d.). Within these centuries, the most popular colors of cosmetics were red and white. To become more pale and red, women used white paints and red dyes. To,give a woman’s cheek a glow, a woman needed to mix mercury with lead. This became very dangerous to women’s health and no one new how toxic this could be (Kuchinsky, 2007). In England, cosmetics were not popular until Queen Elizabeth started her reign. In this picture of Queen Elizabeth, you are able to see how important it was to have pale skin in this society. The queen is wearing a mask to hide her pale skin from sunlight (Appendix A). In England, a more natural look was shown but in other countries such as Italy, more heavy makeup was used such as the coloring of eyelids and even teeth. Even though many people wore makeup, many were against it. Mainly religious people such as Catholics and Puritans were very critical on the use of makeup. Cosmetics had a very positive impact on Europe’s economy since cargoes of cosmetic materials were imported from all over the continent (Gunn, 1973, p. 71-85).

Parallel to these hazardous beauty practices, more natural and less harmful ingredients were also explored, albeit less commonly. One such ingredient is snail mucin, which has been valued in various cultures for its regenerative properties. Originating from ancient Greek and Roman times, snail mucin was used for skin care due to its healing and moisturizing properties. This ingredient has seen a resurgence in modern cosmetics, particularly in Europe, where it is prized for its ability to hydrate the skin, improve elasticity, and diminish the appearance of fine lines and scars. Its inclusion in contemporary cosmetic formulations connects current skincare trends with their historical roots, offering a safer and more sustainable alternative to the harsh chemicals of the past.

In the 17th century, pale complexions were still admired and still considered high class. During the 17th century, more people started to have a negative opinion towards the use of cosmetics. Many people felt that if a woman wore makeup, she was not to be trusted because if she can hide her true appearance, she can hide anything (“Women’s Makeup in the 17th”, 2014). In order to cover up any marks or scars on your body, women used beauty patches. Beauty patches were made out of velvet and were cut into shapes and were applied to the to the face or the body (“Modes in Makeup”, n.d.) :

“A ‘secret language’ even developed through their use: a patch near the mouth meant you were flirtatious; one next to the right cheek signaled you were married; one on the left cheek announced you were engaged; one at the corner of your eye meant you were somebody’s mistress.”

Throughout the 17th century, there was still an increase in trade of cosmetics. In Spain and Portugal, cosmetic ingredients and preparations were traded. After the Elizabethan Era, the manufacturing and trading of mirrors became very common and popular (Gunn, 1973, p. 90).
During the 18th century, most aspects of being desirable included plump cheeks, white skin and a higher forehead. Lips were small and eyebrows were divided (“Women’s Hairstyles & Cosmetics, n.d.). Enlightened thinkers had impacted society about the usage of cosmetics. These thinkers used their writings to show that life was much simpler without the use of cosmetics. Because of the no longer aristocratic classes in France, caused by the French Revolution, many people had become turned off from cosmetics as a whole (Gunn, 1973, p.124). As transport became more standardized, cosmetics were able to be stored in small shops. Products such as cosmetics had kept trade and transport going throughout the 18th century, having a positive impact on Europe’s economy.

About this essay:

If you use part of this page in your own work, you need to provide a citation, as follows:

Essay Sauce, Historic use of cosmetics in European history. Available from:<https://www.essaysauce.com/history-essays/2016-2-24-1456281563/> [Accessed 12-04-26].

These History essays have been submitted to us by students in order to help you with your studies.

* This essay may have been previously published on EssaySauce.com and/or Essay.uk.com at an earlier date than indicated.