Jacobs-Jenkins’s strategy of race-bending – The Octoroon,
It was September 1998. At age 14, playwright-to-be Branden Jacobs-Jenkins was taken by his parents to see Samuel Beckett’s Waiting for Godot at the Studio Theatre in Washington, D.C. The production, conceived and directed by Studio founder and artistic director Joy Zinoman, featured two African-American actors––Thomas W. Jones and Donald Griffin––as Vladimir and Estragon. The … Read more