The Camera as the Spectator’s “Psychological Guide” in Alfred Hitchcock’s Psycho (1960)
The Camera as the Spectator’s ‘Psychological Guide’ in Alfred Hitchcock’s Psycho (1960) Whether people found themselves looking up after The Birds (1963), watching their neighbors after Rear Window (1954), or fearing showers after Psycho, Alfred Hitchcock’s movies have long demonstrated a profound ability to affect a viewer’s emotions and thoughts even decades after they … Read more